In the year 1920, In the year 1920, when India's freedom movement was gaining momentum, one man firmly believed that the Britishers were not as bad as they were being made out to be.
当(dāng )地(dì(💈) )的神话将被一群(💎)十几岁的(⚫)青少(shǎo )年(nián )在(zài )偏远农田(🛄)的夜(🕺)晚发现(xià(🥂)n )。有没有嗜血的生(💖)物一直在(📑)徘徊(huái )在(zài )这(zhè(🔡) )片土地上(👀)？
《四(🖌)个(gè )春(chū(🦌)n )天》是一部以(🔀)真实(🏁)家庭生活(♈)为(wéi )背(bèi )景(jǐng )的(⛑)(de )纪录片。15岁(⛪)离家(🏳)，在(zài )异乡漂泊多年的(😈)导演(⭕)以自己南(🐳)(nán )方(fāng )小(xiǎo )城里(🕣)的父母为(🖤)主角，在四年光阴里，以一己(🍤)之力(🎞)记录(lù )了(📶)(le )他(tā )们的美丽日(🌻)常。在(zài )如(📞)(rú )诗的乐活慢生活图景中(💈)，影像(🛍)(xiàng )缓(huǎn )缓(😒)(huǎn )雕刻出一(🎒)个幸(🈹)福家庭(tí(😲)ng )近(jìn )二十年的温(🏦)柔变迁，以(🤑)及他(🍇)们(men )如(rú )何(🦃)(hé )以自己的(📁)方式(📯)面对(duì )流(📵)(liú )转的时间、人(🍚)生的得失(😭)起落。
1891年(nián )，后(hòu )印象派大师(⚪)保罗(📜)·高(gāo )更(👡)在巴黎的艺术圈(🙂)已小有名(🍳)气(qì )，但(dàn )为文明社会的虚(📄)伪与(🌂)(yǔ )矫情感(🔶)到厌烦。对于原始(🔐)世界的(de )渴(🙌)(kě )望(wàng )驱使他离开家中妻(🏐)(qī )小(🌎)(xiǎo )，来到南(📢)太平洋的大(💩)溪地(🦎)；准(zhǔn )备(🌹)(bèi )好(hǎo )为追寻已(🤛)久的自然(🔒)、野(💊)(yě )性、纯粹的生活与(🏸)创作(🥅)环境牺(xī(🚔) )牲(shēng )一(yī )切。忍受(😲)着经济上(⏱)(shàng )的(de )贫困和精神上的孤寂(👜)，高更(📧)走(zǒu )进(jì(🍻)n )丛(cóng )林(lín )深处，认(😓)识了当地(👙)(dì )的(de )毛利人，邂逅了原住民(👔)女孩(✌)德(dé )胡(hú(🐵) )拉(lā )；一段三角(😼)关係也若(💻)(ruò )隐若现地缓缓浮出。这座(😪)远方(🥡)岛(dǎo )屿(yǔ(🍾) )彷(páng )佛是他(🎯)灵魂(🕴)的故土(tǔ(🌺) )，此处充满生命力(🥀)的人物面(🔜)貌与(💇)(yǔ )地(dì )景(jǐng )线条都成(🗓)为他(🅿)的缪思(sī(🥩) )，激发他创作出艺(🚧)术生涯中(🕸)最具(jù )标(biāo )志(zhì )性的大师(⛲)之作(🖐)。
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